1936 | B/N | 95:00 The friendship between landowner Felipe and his foreman José Francisco is threatened by a series of entanglements and misunderstandings around the virginity of Crucita, a young peasant girl with whom José Francisco is in love. Little by little, problems find their solutions among couplets, dances, and songs. Country: México Direction: de Fuentes; Fernando Script: Guzmán de Arellano; Luz, Guzmán Aguilera; Antonio, de Fuentes; Fernando Production: Rivas Bustamante; Alfonso, de Fuentes; Fernando Photography: Figueroa; Gabriel Sound: Kroger; B. J. Music: Barceleta; Lorenzo Cast:Guízar; Tito, Fernández; Esther, Cardona; René, Barcelate; Lorenzo, Roldán; Emma Art direction: Fernández; Jorge Participation year at FICM: 2023
1936 | B/N | 95:00 The friendship between landowner Felipe and his foreman José Francisco is threatened by a series of entanglements and misunderstandings around the virginity of Crucita, a young peasant girl with whom José Francisco is in love. Little by little, problems find their solutions among couplets, dances, and songs. Country: México Direction: de Fuentes; Fernando Script: Guzmán de Arellano; Luz, Guzmán Aguilera; Antonio, de Fuentes; Fernando Production: Rivas Bustamante; Alfonso, de Fuentes; Fernando Photography: Figueroa; Gabriel Sound: Kroger; B. J. Music: Barceleta; Lorenzo Cast:Guízar; Tito, Fernández; Esther, Cardona; René, Barcelate; Lorenzo, Roldán; Emma Art direction: Fernández; Jorge Participation year at FICM: 2023
Doña Bárbara In Venezuela, lawyer Santos Luzardo arrives in the plains to gain control of his lands, but is locked in a terrible conflict with landowner Doña Bárbara, a brave woman turned by fate into a man-eater with a pact with the devil, and who owns the haciendas—and people’s lives. See More
Let’s Go with Pancho Villa During the Mexican Revolution, a group of brave peasants known as the Leones de San Pablo join Pancho Villa’s army. After a few battles, with more defeats than victories behind them, the original group has shrunk in number, and a series of troubles leads them to rethink their position. See More
El prisionero 13 Marta leaves her drunkard husband, Colonel Carrasco, taking their young son with her. The child, Juan, grows into an admirable young man. Years later, Carrasco accepts a bribe to free a revolutionary from his prison and asks to have him replaced by absolutely anyone. That anyone turns out to be his own long-lost son. When Carrasco finds out, he desperately attempts to prevent Juan’s execution at the hands of his very own officers. See More
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26 Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26
