2025 | B/N | 27:00 Two recently deceased young men find themselves on the streets of Athens, amid the pulsating urban landscape and the ghosts of history. One a translator, the other a photographer, they were outsiders in life; in death, they struggle with the remnants of their desires and mistakes. They wander the city together, finding solace in the difficult beauty of existence and its aftermath.Publicist: Nicole Kerr | nicole@nkerrcommunications.com Country: Estados Unidos, Grecia Direction: Kaufman; Charlie Script: H.D.; Eva Photography: Dymek; Michal Music: van der Woude; Ella Cast:Buckley; Jessie, Akiki; Josef, H.D.; Eva, Souldatos; Nektarios Participation year at FICM: 2025
2025 | B/N | 27:00 Two recently deceased young men find themselves on the streets of Athens, amid the pulsating urban landscape and the ghosts of history. One a translator, the other a photographer, they were outsiders in life; in death, they struggle with the remnants of their desires and mistakes. They wander the city together, finding solace in the difficult beauty of existence and its aftermath.Publicist: Nicole Kerr | nicole@nkerrcommunications.com Country: Estados Unidos, Grecia Direction: Kaufman; Charlie Script: H.D.; Eva Photography: Dymek; Michal Music: van der Woude; Ella Cast:Buckley; Jessie, Akiki; Josef, H.D.; Eva, Souldatos; Nektarios Participation year at FICM: 2025
Anomalisa Michael Stone, an author of books on the subject of customer service, struggles with his inability to connect to people. One night, while on a routine business trip, he meets a stranger who changes his world view. See More
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26 Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26
