2018 | Color | 03:45 The trace of disturbing memories within a circle where the horizon is lost, what was already seen and reappears without any sense. The tiny space where dreams becomes lively present. Nothing is permanent, the dreams are foam. Country: México Direction: Robles Jiménez; Andrea Script: Robles Jiménez; Andrea Production: Cavalchini; Lucía Photography: Robles; Andrea Sound: Voglsinger; Stefan Music: Voglsinger; Stefan Art direction: Rubane; Liene Participation year at FICM: 2019
2018 | Color | 03:45 The trace of disturbing memories within a circle where the horizon is lost, what was already seen and reappears without any sense. The tiny space where dreams becomes lively present. Nothing is permanent, the dreams are foam. Country: México Direction: Robles Jiménez; Andrea Script: Robles Jiménez; Andrea Production: Cavalchini; Lucía Photography: Robles; Andrea Sound: Voglsinger; Stefan Music: Voglsinger; Stefan Art direction: Rubane; Liene Participation year at FICM: 2019
V el artificio Based on Hoffman’s story The Sandman. The film alludes to the anguish of having a valuable organ mutilated and to slapdash experiments that create a hybrid between life and artifice. This is part of the project Fantástico Encarnado (the Embodied Fantastic), a series of animations exploring everyday phenomena that manifest themselves in unsettling ways: hidden memories, repressed desires, and dark fantasies. See More
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26 Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26
