1949 | B/N | 78:00 Lawyer Joe Morse wants to consolidate all the small-time gambling operators into one big, powerful organization. But his older brother Leo is one of them, and he wants to stay that way—rather than deal with the gangsters who dominatethe big leagues. Country: USA Direction: Polonsky; Abraham Script: Polonsky; Abraham, Wolfert; Ira Production: Roberts; Bob Photography: Barnes; George Sound: Webster; Frank Music: Raksin; David Cast:Garfield; John, Pearson; Beatrice, Gomez; Thomas, Windsor; Marie, Chamberlain; Howland, Roberts; Roy Art direction: Day; Richard Participation year at FICM: 2026
1949 | B/N | 78:00 Lawyer Joe Morse wants to consolidate all the small-time gambling operators into one big, powerful organization. But his older brother Leo is one of them, and he wants to stay that way—rather than deal with the gangsters who dominatethe big leagues. Country: USA Direction: Polonsky; Abraham Script: Polonsky; Abraham, Wolfert; Ira Production: Roberts; Bob Photography: Barnes; George Sound: Webster; Frank Music: Raksin; David Cast:Garfield; John, Pearson; Beatrice, Gomez; Thomas, Windsor; Marie, Chamberlain; Howland, Roberts; Roy Art direction: Day; Richard Participation year at FICM: 2026
Tell Them Willie Boy is Here Based on true events, this feature film tells the story of one of the Old West’s final manhunts, which took place in 1909. When a young Native American man named Willie Boy kills his girlfriend’s father in self-defense, the couple flees—with Sheriff Christopher Cooper and his posse in hot pursuit. See More
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26 Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26
