2017 | Color | 29:28 The enigmatic images in La Cueva de las Monas (The Cave of Painted Dolls), painted between two thousand years ago until the colonial period, spark a journey that reveals the vitality of this site. There, the directors discover a deep relationship between these paintings with the contemporary religious practice of the Rarámuri people. Direction: Martínez; Noé, Scobell; Jorge, Sosa; Maria Script: Martínez; Noe, Scobell; Jorge, Sosa; Maria Production: Martínez; Noe, Scobell; Jorge, Sosa; Maria Photography: Sosa; Maria Participation year at FICM: 2017
2017 | Color | 29:28 The enigmatic images in La Cueva de las Monas (The Cave of Painted Dolls), painted between two thousand years ago until the colonial period, spark a journey that reveals the vitality of this site. There, the directors discover a deep relationship between these paintings with the contemporary religious practice of the Rarámuri people. Direction: Martínez; Noé, Scobell; Jorge, Sosa; Maria Script: Martínez; Noe, Scobell; Jorge, Sosa; Maria Production: Martínez; Noe, Scobell; Jorge, Sosa; Maria Photography: Sosa; Maria Participation year at FICM: 2017
Naza Shot at night on the rooftops of Tel Aviv, the film reveals in detail the systems behind Israel’s calculated mass killing of Palestinian civilians in Gaza. See More
5 de chocolate y 1 de fresa Esperanza is a young novice living in a quiet convent full of old nuns. After eating some “special” mushrooms, innocent Esperanza becomes modern and psychedelic Brenda: a subversive girl who raids a high-society party, sings subversive songs and charms young fellows. See More
The Buzz During a live national television interview, Verónica, a famous and widely admired actress, struggles to uphold the image of a perfect life as her inner world fractures under the weight of private abuse. Trapped between silence, fear, and a sudden panic attack, she must decide whether to continue performing the illusion—or break the cycle in front of everyone. See More
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26 Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26
