2018 | Color | 52:00 Miguel traces his way trying to survive, his reality becomes increasingly labyrinthine and become complicated to face his own being. His complex behavior with a repressive society, an invasion of confused ideas make this documentary a piece about the current human complexity in a Mexico dominated by violence. Country: México Direction: Villaseñor; Eva Script: Villaseñor; Eva Production: Centro de Capacitación Cinematográfica (CCC); Photography: Villaseñor; Eva Sound: Villaseñor; Eva Music: Villaseñor; Tankeone Participation year at FICM: 2018
2018 | Color | 52:00 Miguel traces his way trying to survive, his reality becomes increasingly labyrinthine and become complicated to face his own being. His complex behavior with a repressive society, an invasion of confused ideas make this documentary a piece about the current human complexity in a Mexico dominated by violence. Country: México Direction: Villaseñor; Eva Script: Villaseñor; Eva Production: Centro de Capacitación Cinematográfica (CCC); Photography: Villaseñor; Eva Sound: Villaseñor; Eva Music: Villaseñor; Tankeone Participation year at FICM: 2018
The House For decades, Gabriel García Márquez envisioned a novel titled The House, inspired by the one he lived in with his grandparents in Aracataca. He published fragments, but only while living in another house, in Mexico City, did he complete One Hundred Years of Solitude. In this documentary, directed by Eva Villaseñor, Rodrigo and Gonzalo García Barcha return to their childhood home, where memory transforms time. See More
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26 Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26
