2012 | Color | 21 min 40 seg The life of a single mother is disrupted by the sudden loss of her only son. With the help of her neighbor, she must embark on the difficult path of grief and begin the cruel process of accepting that she will never see him again. Country: México Direction: Rugama; Bernardo Script: Rugama; Bernardo Production: Mcdonald; Homero, Dragoné; Carlos Photography: Lepe; Federico Sound: Infante; Diego Music: Infante; Diego Cast:Cina; Maruza, Arriaga; Claudia Participation year at FICM: 2012
2012 | Color | 21 min 40 seg The life of a single mother is disrupted by the sudden loss of her only son. With the help of her neighbor, she must embark on the difficult path of grief and begin the cruel process of accepting that she will never see him again. Country: México Direction: Rugama; Bernardo Script: Rugama; Bernardo Production: Mcdonald; Homero, Dragoné; Carlos Photography: Lepe; Federico Sound: Infante; Diego Music: Infante; Diego Cast:Cina; Maruza, Arriaga; Claudia Participation year at FICM: 2012
You are my Carousel Matías has plans with his friends, but today he will have to take care of his grandfather who, despite his mental deterioration, has a lot of life. Despite the notable differences between them, this day they will develop a friendship that will mark them forever. See More
Duele The relationship between a psychologist and her patient becomes painful when they cross the boundaries of intimacy. See More
Heartbreak Motel Mariela is a maid at a Motel where she constantly receives psychological abuse from its ex-boyfriend Gustavo, who also Works there. See More
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26 Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26