1962 | B/N | 64:00 Rouen, 1431. Joan of Arc has been taken prisoner and sold to the English, who are holding her in a tower at Rouen Castle. She appears before a religious court presided over by Cauchon, Bishop of Beauvais. For months, Joan stands up to her judges, who try everything they can to discredit her. Country: Francia Direction: Bresson; Robert Script: Bresson; Robert Production: Delahaie; Agnès Photography: Burel; Léonce-Henri Sound: Archimbaud; Antoine Music: Seyrig; Francis Cast:Delay; Florence, Fourneau; Jean-Claude, Honorat; Roger, Jacquier; Marc, Gillibert; Jean Art direction: Charbonnier; Pierre Participation year at FICM: 2026
1962 | B/N | 64:00 Rouen, 1431. Joan of Arc has been taken prisoner and sold to the English, who are holding her in a tower at Rouen Castle. She appears before a religious court presided over by Cauchon, Bishop of Beauvais. For months, Joan stands up to her judges, who try everything they can to discredit her. Country: Francia Direction: Bresson; Robert Script: Bresson; Robert Production: Delahaie; Agnès Photography: Burel; Léonce-Henri Sound: Archimbaud; Antoine Music: Seyrig; Francis Cast:Delay; Florence, Fourneau; Jean-Claude, Honorat; Roger, Jacquier; Marc, Gillibert; Jean Art direction: Charbonnier; Pierre Participation year at FICM: 2026
Four Nights of a Dreamer Young artist Jacques encounters Marthe on the verge of jumping off Pont Neuf. She is devastated to learn that her lover has returned to Paris and made no effort to contact her. Jacques arranges to meet her over the following nights, after which they profess their feelings for each other. See More
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26 Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26