2003 | Color | 10 min A spontaneous encounter between an old man who, on the verge of going blind, refuses to be operated, and a woman who works for the man´s ophthalmologist and spends all her free time with a video camara Country: México Direction: Peñaloza Galván; René Script: Peñaloza Galván; René Production: Rodríguez; Hugo, Castro; Ángeles Photography: Lhez; Emiliano Sound: Scratch; Scratch, Kuhlmann; Enrique, Laguna; Yuri Music: Lithops; Lithops Cast:Parodi; Alejandro, Romero; Ángeles, Peña; Fabián, Nomás; Tomás, Monroy; Manuel Art direction: Cosío; Guillermo Participation year at FICM: 2003
2003 | Color | 10 min A spontaneous encounter between an old man who, on the verge of going blind, refuses to be operated, and a woman who works for the man´s ophthalmologist and spends all her free time with a video camara Country: México Direction: Peñaloza Galván; René Script: Peñaloza Galván; René Production: Rodríguez; Hugo, Castro; Ángeles Photography: Lhez; Emiliano Sound: Scratch; Scratch, Kuhlmann; Enrique, Laguna; Yuri Music: Lithops; Lithops Cast:Parodi; Alejandro, Romero; Ángeles, Peña; Fabián, Nomás; Tomás, Monroy; Manuel Art direction: Cosío; Guillermo Participation year at FICM: 2003
Eggs Rodolfo and his friends amuse themselves by roaming the city in a luxury car throwing eggs at people. One day, they plan an outing to a brothel, but Rodolfo refuses to go, despite the mockery of his friends, on the grounds that he has a relationship with his maid. However, the true nature of the relationship between Rodolfo and the maid turns out to be quite chilling. See More
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26 Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26