Image Estrada Serafín, Juan José Photographer graduated from the Fábrica de Imágenes school. He has taken courses on indigenous media at the Intercultural Indigenous University of Michoacán and in other organizations like the Boca de Polen Community Radio Network. His first short film Nana Tsïri (2012) received the Honorable Mention at the 2012 Indigenous Film and Video Festival. He has collaborated with audiovisual material for different media, including the documentaries El guardabosques de Cherán (2013) for the Mano Vuelta collective and Soy autodefensa: viaje por una rebelión armada (2016) in collaboration with Tequio Audiovisual. He has given talks and conferences about indigenous journalism in Michoacán in spaces such as the Photographic Reunion of Mexico, in Cholula, Puebla, and the National Autonomous University of Mexico (UNAM), among others. His work as a photographer has been showcased in publications such as Cuartoscuro, La Jornada, Proceso, Gatopardo, VICE Latin America and Variopinto. His short film Itsïri k’uinchekua / La fiesta del agua was part of the Official Selection of the 14th Morelia International Film Festival (FICM). Other Movies Naza Shot at night on the rooftops of Tel Aviv, the film reveals in detail the systems behind Israel’s calculated mass killing of Palestinian civilians in Gaza. See More 5 de chocolate y 1 de fresa Esperanza is a young novice living in a quiet convent full of old nuns. After eating some “special” mushrooms, innocent Esperanza becomes modern and psychedelic Brenda: a subversive girl who raids a high-society party, sings subversive songs and charms young fellows. See More The Buzz During a live national television interview, Verónica, a famous and widely admired actress, struggles to uphold the image of a perfect life as her inner world fractures under the weight of private abuse. Trapped between silence, fear, and a sudden panic attack, she must decide whether to continue performing the illusion—or break the cycle in front of everyone. See More Related News ¡Conoce a la Sección Michoacana del 14º FICM! 09 · 19 · 16 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Estrada Serafín, Juan José Photographer graduated from the Fábrica de Imágenes school. He has taken courses on indigenous media at the Intercultural Indigenous University of Michoacán and in other organizations like the Boca de Polen Community Radio Network. His first short film Nana Tsïri (2012) received the Honorable Mention at the 2012 Indigenous Film and Video Festival. He has collaborated with audiovisual material for different media, including the documentaries El guardabosques de Cherán (2013) for the Mano Vuelta collective and Soy autodefensa: viaje por una rebelión armada (2016) in collaboration with Tequio Audiovisual. He has given talks and conferences about indigenous journalism in Michoacán in spaces such as the Photographic Reunion of Mexico, in Cholula, Puebla, and the National Autonomous University of Mexico (UNAM), among others. His work as a photographer has been showcased in publications such as Cuartoscuro, La Jornada, Proceso, Gatopardo, VICE Latin America and Variopinto. His short film Itsïri k’uinchekua / La fiesta del agua was part of the Official Selection of the 14th Morelia International Film Festival (FICM).
Naza Shot at night on the rooftops of Tel Aviv, the film reveals in detail the systems behind Israel’s calculated mass killing of Palestinian civilians in Gaza. See More
5 de chocolate y 1 de fresa Esperanza is a young novice living in a quiet convent full of old nuns. After eating some “special” mushrooms, innocent Esperanza becomes modern and psychedelic Brenda: a subversive girl who raids a high-society party, sings subversive songs and charms young fellows. See More
The Buzz During a live national television interview, Verónica, a famous and widely admired actress, struggles to uphold the image of a perfect life as her inner world fractures under the weight of private abuse. Trapped between silence, fear, and a sudden panic attack, she must decide whether to continue performing the illusion—or break the cycle in front of everyone. See More
