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Natalia García Agraz

García Agraz; Natalia

Direction, Edition, Script

Natalia García Agraz is a Mexican director and screenwriter born on December 7, 1993. She studied to be a photographer at Escuela Activa de Fotografía and as a director and screenwriter at Centro de Capacitación Cinematográfica. She directed the short film "El último romántico" that represented Mexico with a nomination at the 2019 Student Academy Awards and participated in more than 60 international festivals including Tribeca Film Festival, Tel Aviv Film Festival and the Morelia Film Festival. As a screenwriter, she has collaborated on feature films and series for Netflix, Woo Films, The Lift and Videocine. Her work has been shown on the Hulu, Netflix, FilminLatino and CinepolisKlic platforms. She has participated as a theater actress in the company "Vincent Company para Actores y no Actores Fracasados" in the productions "Tal vez esto no se trate de amor" (2019) and "La Ciencia de la despedida" (2020 and 2021), winner of the 2020 co-production with the Teatro La Capilla. She recently directed two short films "Passarinho" (2023) and "Revolución" (2023), the last winner of the FOCINE 2021 fund. She is currently writing and developing her debut feature film "Acapulco".

 

Other Movies

Naza

Naza
Shot at night on the rooftops of Tel Aviv, the film reveals in detail the systems behind Israel’s calculated mass killing of Palestinian civilians in Gaza. See More

5 de chocolate y 1 de fresa

5 de chocolate y 1 de fresa
Esperanza is a young novice living in a quiet convent full of old nuns. After eating some “special” mushrooms, innocent Esperanza becomes modern and psychedelic Brenda: a subversive girl who raids a high-society party, sings subversive songs and charms young fellows. See More

The Buzz

Zumbido
During a live national television interview, Verónica, a famous and widely admired actress, struggles to uphold the image of a perfect life as her inner world fractures under the weight of private abuse. Trapped between silence, fear, and a sudden panic attack, she must decide whether to continue performing the illusion—or break the cycle in front of everyone. See More

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