Image Gómez Córdova, Sofía Originally from Aguascalientes, she studied audiovisual arts in the Department of Image and Sound (DIS) of the University of Guadalajara (U. de G.), Jalisco, where she currently works as a professor. She has dedicated herself to film editing, in works such as Luces negras (2009) by Samuel Kishi Leopo and Me parezco tanto a ti (2011) by Luna Marán, as well as the co-edition of two feature length documentaries La hora de la siesta (2014) by Carolina Platt Soberanes and Retratos de una búsqueda (2014) by Alicia Calderón, both selected for the 12th FICM. Recently, she became involved in screenwriting, an area in which her work stands out in Samuel Kishi Leopo’s first feature film, Somos Mari Pepa (2013), selected by the 11th FICM and winner of the Press Award at the 16th Guanajuato International Film Festival (GIFF) and an Honorable Mention at the 31st Miami International Film Festival (MIFF). Her work as a director has been shown in more than 10 festivals around the world. She participated with her short fiction film Historia de un matrimonio (2006) in the 5th St. Petersburg International Festival of Debut and Student Film BEGINNING, Russia, and the 6th International Student Film Festival Písek (MFSFPÍSEK, in Czech), Czech Republic. She won Second Place at the 6th Female Sessions and First Place in the category of fiction at the 4th Certamen de Cortometrajes, in Guadalajara, Mexico, for Día de campo (2011). Her short fiction film La última batalla contra las malditas palomas (2014) was part of the Official Selection of the 12th Morelia International Film Festival (FICM). She is currently working on her first feature film Los ojos de Schrödinger. This project was part of Guadalajara Talents 2014, in the context of the 29th Guadalajara International Film Festival (FICG); of the International Pitching Market during the 17th GIFF; and the Rotterdam Lab of the 43 International Film Festival Rotterdam (IFFR), Netherlands. Otras Películas Naza En conversaciones secretas que tienen lugar de noche desde las azoteas de Tel Aviv, dan sus testimonios quienes diseñaron y operaron la matanza sistemática de civiles palestinos en Gaza por parte de Israel. Ver Más 5 de chocolate y 1 de fresa Esperanza es una joven novicia que vive en un tranquilo convento lleno de monjas mayores. Tras comer unas setas «especiales», la inocente Esperanza se convierte en la moderna y psicodélica Brenda: una chica subversiva que irrumpe en una fiesta de la alta sociedad, canta canciones subversivas y cautiva a los jóvenes. Ver Más Zumbido Durante una entrevista televisiva que se transmite en vivo a nivel nacional, Verónica, una actriz célebre y admirada, lucha por mantener la imagen de una vida perfecta mientras su mundo interior se resquebraja bajo el peso del abuso en privado. Atrapada entre el silencio, el miedo y un repentino ataque de pánico, debe decidir si continúa representando la ilusión o rompe el ciclo delante de todos. Ver Más Noticias Relacionadas No te pierdas la Muestra de Cine de los Pueblos Originarios y Afrodescendientes 2026 16 · 11 · 26 RATAS DE LA CIUDAD y el otro cine popular mexicano de los ochenta 12 · 11 · 26 La nostalgia de lo clásico 11 · 11 · 26 Entrevista con Adriana Domínguez, directora de ADOLFO DOMÍNGUEZ: EL ECO DE OTRAS VOCES 05 · 11 · 26 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Gómez Córdova, Sofía Originally from Aguascalientes, she studied audiovisual arts in the Department of Image and Sound (DIS) of the University of Guadalajara (U. de G.), Jalisco, where she currently works as a professor. She has dedicated herself to film editing, in works such as Luces negras (2009) by Samuel Kishi Leopo and Me parezco tanto a ti (2011) by Luna Marán, as well as the co-edition of two feature length documentaries La hora de la siesta (2014) by Carolina Platt Soberanes and Retratos de una búsqueda (2014) by Alicia Calderón, both selected for the 12th FICM. Recently, she became involved in screenwriting, an area in which her work stands out in Samuel Kishi Leopo’s first feature film, Somos Mari Pepa (2013), selected by the 11th FICM and winner of the Press Award at the 16th Guanajuato International Film Festival (GIFF) and an Honorable Mention at the 31st Miami International Film Festival (MIFF). Her work as a director has been shown in more than 10 festivals around the world. She participated with her short fiction film Historia de un matrimonio (2006) in the 5th St. Petersburg International Festival of Debut and Student Film BEGINNING, Russia, and the 6th International Student Film Festival Písek (MFSFPÍSEK, in Czech), Czech Republic. She won Second Place at the 6th Female Sessions and First Place in the category of fiction at the 4th Certamen de Cortometrajes, in Guadalajara, Mexico, for Día de campo (2011). Her short fiction film La última batalla contra las malditas palomas (2014) was part of the Official Selection of the 12th Morelia International Film Festival (FICM). She is currently working on her first feature film Los ojos de Schrödinger. This project was part of Guadalajara Talents 2014, in the context of the 29th Guadalajara International Film Festival (FICG); of the International Pitching Market during the 17th GIFF; and the Rotterdam Lab of the 43 International Film Festival Rotterdam (IFFR), Netherlands.
Naza En conversaciones secretas que tienen lugar de noche desde las azoteas de Tel Aviv, dan sus testimonios quienes diseñaron y operaron la matanza sistemática de civiles palestinos en Gaza por parte de Israel. Ver Más
5 de chocolate y 1 de fresa Esperanza es una joven novicia que vive en un tranquilo convento lleno de monjas mayores. Tras comer unas setas «especiales», la inocente Esperanza se convierte en la moderna y psicodélica Brenda: una chica subversiva que irrumpe en una fiesta de la alta sociedad, canta canciones subversivas y cautiva a los jóvenes. Ver Más
Zumbido Durante una entrevista televisiva que se transmite en vivo a nivel nacional, Verónica, una actriz célebre y admirada, lucha por mantener la imagen de una vida perfecta mientras su mundo interior se resquebraja bajo el peso del abuso en privado. Atrapada entre el silencio, el miedo y un repentino ataque de pánico, debe decidir si continúa representando la ilusión o rompe el ciclo delante de todos. Ver Más
No te pierdas la Muestra de Cine de los Pueblos Originarios y Afrodescendientes 2026 16 · 11 · 26 RATAS DE LA CIUDAD y el otro cine popular mexicano de los ochenta 12 · 11 · 26 La nostalgia de lo clásico 11 · 11 · 26 Entrevista con Adriana Domínguez, directora de ADOLFO DOMÍNGUEZ: EL ECO DE OTRAS VOCES 05 · 11 · 26