2009 | Color | 119min The title of the film alludes to a sonnet written by English poet John Keats at the end of the 1810s during his relationship with Fanny Brawne, a young fashion design student. Keats and Brawne are an anomalous, but inseparable couple. Their love for each other turns into an increasingly intense obsession. The story refers to the poet’s last three years of life, and a large part of the screenplay is based directly on his letters and poems, recited throughout the film. Country: Reino Unido Direction: Campion; Jane Script: Campion; Jane Production: L Rosen; Mark, Hewitt; Caroline, Chapman; Jan Photography: Fraser; Greg Music: Bradshaw; Mark Cast:Schneider; Paul, Whishaw; Ben, Cornish; Abbie, Fox; Kerry Participation year at FICM: 2010
2009 | Color | 119min The title of the film alludes to a sonnet written by English poet John Keats at the end of the 1810s during his relationship with Fanny Brawne, a young fashion design student. Keats and Brawne are an anomalous, but inseparable couple. Their love for each other turns into an increasingly intense obsession. The story refers to the poet’s last three years of life, and a large part of the screenplay is based directly on his letters and poems, recited throughout the film. Country: Reino Unido Direction: Campion; Jane Script: Campion; Jane Production: L Rosen; Mark, Hewitt; Caroline, Chapman; Jan Photography: Fraser; Greg Music: Bradshaw; Mark Cast:Schneider; Paul, Whishaw; Ben, Cornish; Abbie, Fox; Kerry Participation year at FICM: 2010
The Power of the Dog Wealthy brothers Phil and George Burbank are co-owners of the largest ranch in the Montana valley. Phil is elegant, cool, and cruel; George is impassive, fussy, and kind. When George secretly marries Rose, a village widow, Phil, shocked and furious, wages a relentless war to completely destroy her, using her son Peter as a pawn. See More
The 64th Semaine de la Critique of Cannes Film FestivalWill Be Present at the 23rd FICM 08 · 21 · 25 FICM Announces the Official Selection of its 23rd edition! 08 · 15 · 25 1968 and the new narratives in feature films 07 · 31 · 25 Michael Mann and the birth of Hannibal Lecter 07 · 24 · 25