2007 | Color | 30 min Allopathic medicine and traditional indigenous medicine have different views with regard to the separation of body and soul. Return gives an account of the rituals that are performed by traditional doctors from Michoacán, as well as a psychiatrist?s perspective on the soul?s return to the body Country: México Direction: Villegas Gómez; Luis Enrique Script: Lucas; Benjamín Production: Villegas Gómez; Luis Enrique Photography: Villegas Góme; Enrique Music: Bustamante; Mauricio Cast:Basilio Hipólito; Óscar Participation year at FICM: 2007
2007 | Color | 30 min Allopathic medicine and traditional indigenous medicine have different views with regard to the separation of body and soul. Return gives an account of the rituals that are performed by traditional doctors from Michoacán, as well as a psychiatrist?s perspective on the soul?s return to the body Country: México Direction: Villegas Gómez; Luis Enrique Script: Lucas; Benjamín Production: Villegas Gómez; Luis Enrique Photography: Villegas Góme; Enrique Music: Bustamante; Mauricio Cast:Basilio Hipólito; Óscar Participation year at FICM: 2007
Manuel Guízar, actor Actor Manuel Guízar speaks of his portrayal for more than 20 years of Pito Pérez, the bizarre character from the writings of José Rubén Romero from Michoacan. See More
Let’s Film! (Juguemos a grabar - part two) Let´s Make Movies is the first video workshop for children in Michoacán. It is an initiative of the Mexican Association of Film/Video Makers and Technicians, possible thanks to the support of the Secretary of Culture of the state of Michoacán. Let?s Make Movies is a space for visual experimentation where children ages 8-14 were able to make their fantasies a reality by writing, producing, shooting, and editing their own stories See More
The 64th Semaine de la Critique of Cannes Film FestivalWill Be Present at the 23rd FICM 08 · 21 · 25 The 23rd FICM puts #FICM2025 Accreditation on sale 08 · 18 · 25 FICM Announces the Official Selection of its 23rd edition! 08 · 15 · 25 1968 and the new narratives in feature films 07 · 31 · 25
