2008 | Color | 30 min In the twenties, in the town of Espinazo, Nuevo León, in Northern Mexico, José de Jesús Fidencio Síntora Constantino, better known as the ?Niño Fidencio?, earned a reputation as a miraculous healer. Since 1938, the year in which he died, a few chosen people, known as Materias (Matter, in opposition to Spirit), or Cajitas (Little Boxes), began receiving the Niño?s spirit, thus perpetuating his charitable work as a healer. Currently, some espíritus de luz (Spirits of Light) are becoming manifest through other Materias or Cajitas, such as Margarita Catalán, Aurorita, the Santo Niño of Atocha and Pancho Villa. Country: México Direction: Gómez de Tuddo; Alejandro Script: Gómez de Tuddo; Alejandro Production: Gómez de Tuddo; Alejandro Photography: Gómez de Tuddo; Alejandro Sound: Studio; Boonker, Zárate; Manuel Music: Méndez; Gabriela Art direction: Gómez de Tuddo; Alejandro Participation year at FICM: 2008
2008 | Color | 30 min In the twenties, in the town of Espinazo, Nuevo León, in Northern Mexico, José de Jesús Fidencio Síntora Constantino, better known as the ?Niño Fidencio?, earned a reputation as a miraculous healer. Since 1938, the year in which he died, a few chosen people, known as Materias (Matter, in opposition to Spirit), or Cajitas (Little Boxes), began receiving the Niño?s spirit, thus perpetuating his charitable work as a healer. Currently, some espíritus de luz (Spirits of Light) are becoming manifest through other Materias or Cajitas, such as Margarita Catalán, Aurorita, the Santo Niño of Atocha and Pancho Villa. Country: México Direction: Gómez de Tuddo; Alejandro Script: Gómez de Tuddo; Alejandro Production: Gómez de Tuddo; Alejandro Photography: Gómez de Tuddo; Alejandro Sound: Studio; Boonker, Zárate; Manuel Music: Méndez; Gabriela Art direction: Gómez de Tuddo; Alejandro Participation year at FICM: 2008
If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More
Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More
40 + Divorced, childless and single, Luz visits her local healer who prescribes a scandalous remedy to unburden her soul. As Luz embarks on a sensual journey of self-discovery, she steps into her power realizing that fulfillment doesn't require a traditional path. See More
The 23rd Edition of the Morelia International Film Festival Opened with Kleber Mendonça Filho's THE SECRET AGENT 10 · 10 · 25 "I Don't Like the Idea of Pure Cinema": Kleber Mendonça Filho Talks About THE SECRET AGENT at the 23rd FICM 10 · 10 · 25 The Third Film Development Lab for Filmmakers of Indigenous and African Descent in Mexico has Begun 10 · 09 · 25 The 2025 Indigenous Peoples Forum Announces its Activities for the 23rd FICM 10 · 08 · 25
The 23rd Edition of the Morelia International Film Festival Opened with Kleber Mendonça Filho's THE SECRET AGENT 10 · 10 · 25
"I Don't Like the Idea of Pure Cinema": Kleber Mendonça Filho Talks About THE SECRET AGENT at the 23rd FICM 10 · 10 · 25
The Third Film Development Lab for Filmmakers of Indigenous and African Descent in Mexico has Begun 10 · 09 · 25
