2014 | B/N | 104 Elsa, a vivacious retiree living in New Orleans, meets her new neighbor, straight-laced widower Fred, when she smashes into the bumper of his daughter’s new car. Fred’s stern daughter, Lydia, doesn’t condone Elsa’s free-spirited approach to old age. Soon, however, Elsa’s charming eccentricities begin to rub off on Fred, and the pair start to sneak around like young teenagers behind Lydia’s back. Country: Estados Unidos Direction: Radford; Michael Script: Bell; Mike Production: Levy; José, Veinberg; Nicolas, Ehrenberg; Matthias, Kleinbaum; Ricardo, Saxon; Edward Photography: Mcdonough; Michael Sound: Baird; Michael, Schexnayder; Richard Music: Bacalov; Luis Cast:MacLaine; Shirley, Segal; George, Noth; Chris, Brolin; James, Pierce; Wendell, Alexander; Erika, Rogers; Reg, Ríos; Osvaldo, Plummer; Christopher, Gilman; Jared, Bakula; Scott, Gay Harden; Marcia, Camil; Jaime Art direction: Carroll; Stephanie Participation year at FICM: 2014
2014 | B/N | 104 Elsa, a vivacious retiree living in New Orleans, meets her new neighbor, straight-laced widower Fred, when she smashes into the bumper of his daughter’s new car. Fred’s stern daughter, Lydia, doesn’t condone Elsa’s free-spirited approach to old age. Soon, however, Elsa’s charming eccentricities begin to rub off on Fred, and the pair start to sneak around like young teenagers behind Lydia’s back. Country: Estados Unidos Direction: Radford; Michael Script: Bell; Mike Production: Levy; José, Veinberg; Nicolas, Ehrenberg; Matthias, Kleinbaum; Ricardo, Saxon; Edward Photography: Mcdonough; Michael Sound: Baird; Michael, Schexnayder; Richard Music: Bacalov; Luis Cast:MacLaine; Shirley, Segal; George, Noth; Chris, Brolin; James, Pierce; Wendell, Alexander; Erika, Rogers; Reg, Ríos; Osvaldo, Plummer; Christopher, Gilman; Jared, Bakula; Scott, Gay Harden; Marcia, Camil; Jaime Art direction: Carroll; Stephanie Participation year at FICM: 2014
The Merchant of Venice Michael Radford ?I looked at every other Shakespeare movie and found very few of them actually really engaging. And my attempt with this was to make a film that audiences who didn?t necessarily know anything about Shakespeare would become involved in. See More
Pasolini's Legacy 03 · 10 · 26 “I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26 Frederick Wiseman and the poetics of patience 03 · 03 · 26 Kleber Mendonça Filho: cinefilia y memoria en EL AGENTE SECRETO 02 · 27 · 26
