2013 | Color | 20:40 min A sidewalk, beer and a farewell. Three old friends realize that none of them is where they thought they would be. Country: México, España Direction: Pareto Onghena; Anaïs Script: Pareto Onghena; Anaïs Production: Pareto Valls; Enric, Hernández; Pedro, Pareto Onghena; Anaïs Photography: Saldaña; Consuelo Sound: Gilabert; Chachú, Sánchez; Rodrigo, Chávez; Alma, Ratto; Loretta Music: Gilabert; Chachú, Chávez; Alma Cast:Ceballos; Pabla, Huerta; Tenoch, García Rojas; Horacio, Hernández; Pedro Art direction: Pareto Onghena; Anaïs Participation year at FICM: 2013
2013 | Color | 20:40 min A sidewalk, beer and a farewell. Three old friends realize that none of them is where they thought they would be. Country: México, España Direction: Pareto Onghena; Anaïs Script: Pareto Onghena; Anaïs Production: Pareto Valls; Enric, Hernández; Pedro, Pareto Onghena; Anaïs Photography: Saldaña; Consuelo Sound: Gilabert; Chachú, Sánchez; Rodrigo, Chávez; Alma, Ratto; Loretta Music: Gilabert; Chachú, Chávez; Alma Cast:Ceballos; Pabla, Huerta; Tenoch, García Rojas; Horacio, Hernández; Pedro Art direction: Pareto Onghena; Anaïs Participation year at FICM: 2013
Santa Barbara After thirteen years living in Spain, Bárbara decides to bring her teenage son Ulises, whom she has not seen since he left his country. Mother and son will have to find a way to bond in the new family home. See More
Acapulco corazón Ariel, a young Mexican student, is beginning to feel something for his best friend Roman, but he can never tell him. See More
Sinvivir Jairo feels that his privacy is invaded when Hugo, a longtime friend who is temporarily staying with him, brings home his suicidal cousin Moi. This forced cohabitation leads the characters to understand the sense—or nonsense—of life. See More
The 64th Semaine de la Critique of Cannes Film FestivalWill Be Present at the 23rd FICM 08 · 21 · 25 The 23rd FICM puts #FICM2025 Accreditation on sale 08 · 18 · 25 FICM Announces the Official Selection of its 23rd edition! 08 · 15 · 25 1968 and the new narratives in feature films 07 · 31 · 25