Color | 94:00 Claire Darling has decided to get rid of her belongings and display them for sale in the garden. As her neighbors show up to nose around and take over her things, each object evokes a memory from her life. In the middle of this situation, Marie, the daughter she hasn’t seen for years, will be forced to come home and put a stop to her mother’s eccentric behavior. Direction: Bertuccelli; Julie Script: Fillières; Sophie (basado en la novela Faith Bass Darling’s Last Garage Sale de Lynda Rutledge), Bertuccelli; Julie Production: Gonzalez; Laetitia, Fogiel; Yaël Photography: Lubtchansky; Irina Sound: Javelle; Nikolas, Sicart; Julien Cast:Calamy; Laure, Leysen; Johan, Guesmi; Samir, Deneuve; Catherine, Rabourdin; Olivier, Mastroianni; Chiara, Taglioni; Alice Art direction: de Chauvigny; Emmanuel Participation year at FICM: 2018
Color | 94:00 Claire Darling has decided to get rid of her belongings and display them for sale in the garden. As her neighbors show up to nose around and take over her things, each object evokes a memory from her life. In the middle of this situation, Marie, the daughter she hasn’t seen for years, will be forced to come home and put a stop to her mother’s eccentric behavior. Direction: Bertuccelli; Julie Script: Fillières; Sophie (basado en la novela Faith Bass Darling’s Last Garage Sale de Lynda Rutledge), Bertuccelli; Julie Production: Gonzalez; Laetitia, Fogiel; Yaël Photography: Lubtchansky; Irina Sound: Javelle; Nikolas, Sicart; Julien Cast:Calamy; Laure, Leysen; Johan, Guesmi; Samir, Deneuve; Catherine, Rabourdin; Olivier, Mastroianni; Chiara, Taglioni; Alice Art direction: de Chauvigny; Emmanuel Participation year at FICM: 2018
Depuis qu’Otar est parti This film draws a portrait of three women in the country of Georgia, each belonging to a different generation. A lie intervening in a love story See More
The 64th Semaine de la Critique of Cannes Film FestivalWill Be Present at the 23rd FICM 08 · 21 · 25 The 23rd FICM puts #FICM2025 Accreditation on sale 08 · 18 · 25 FICM Announces the Official Selection of its 23rd edition! 08 · 15 · 25 1968 and the new narratives in feature films 07 · 31 · 25
