1985 | B/N | 96:00 Luz is in jail, accused of murdering her own children. Her husband and mother-in-law claim that she killed them in cold blood. Doctor Rebollar tries to help Luz, but she doesn’t remember anything and believes that jail is purgatory: a limbo stage before ascending to heaven. Direction: Cazals; Felipe Script: Robles; Xavier Production: Scherer; Hugo Photography: Goded; Ángel Sound: Camacho; Roberto Cast:Villagrán; Carlota, Rojo; Adriana, Cardán; Carlos, García; José Ángel, Zúñiga; Maribel, Ramírez; Moisés, Mujica; Daniel, Murguía; Ana Ofelia, Reyes Spíndola; Patricia, Aura; Marta, de la Loza; Juan, Casanova; Delia, Saldívar; Dunia, Echánove; Alonso, Mart Participation year at FICM: 2017
1985 | B/N | 96:00 Luz is in jail, accused of murdering her own children. Her husband and mother-in-law claim that she killed them in cold blood. Doctor Rebollar tries to help Luz, but she doesn’t remember anything and believes that jail is purgatory: a limbo stage before ascending to heaven. Direction: Cazals; Felipe Script: Robles; Xavier Production: Scherer; Hugo Photography: Goded; Ángel Sound: Camacho; Roberto Cast:Villagrán; Carlota, Rojo; Adriana, Cardán; Carlos, García; José Ángel, Zúñiga; Maribel, Ramírez; Moisés, Mujica; Daniel, Murguía; Ana Ofelia, Reyes Spíndola; Patricia, Aura; Marta, de la Loza; Juan, Casanova; Delia, Saldívar; Dunia, Echánove; Alonso, Mart Participation year at FICM: 2017
Canoa: A Shameful Memory Less than a month after the violence at Tlatelolco in Mexico City, a group of young workers from the University of Puebla travel to the village of San Miguel Canoa, near the state capital, to climb La Malinche mountain. Their adventure turns into a nightmare when the townspeople, incited by the priest, mistake them for “communist guerrillas.” See More
The 64th Semaine de la Critique of Cannes Film FestivalWill Be Present at the 23rd FICM 08 · 21 · 25 The 23rd FICM puts #FICM2025 Accreditation on sale 08 · 18 · 25 FICM Announces the Official Selection of its 23rd edition! 08 · 15 · 25 1968 and the new narratives in feature films 07 · 31 · 25