2010 | B/N | 95 min Robinson, an African immigrant, is shipwrecked in a foreign land. As if his situation weren?t dire enough, he is haunted by voices echoing in his mind. These voices offer him a way out of his current hell: all he has to do is take a life. A human life. Will he give in to the voices, and commit the terrible deed for the sake of solace? Country: España Direction: Aguilera; Pedro Script: Aguilera; Pedro Production: Eckelt; Michael, Vennefrohne; Christian, Deker; Dirk, María Lara; José Photography: Valls Colomer; Arnau Music: Marín Walker; Juan Cast:Touré; Solo, Urgan; Kándido, Merino; Alex, Irastoza; Iñaque, Perillán; Julio, Barea; Ramón, Bravo; Charly, Armas; Ruth Participation year at FICM: 2011
2010 | B/N | 95 min Robinson, an African immigrant, is shipwrecked in a foreign land. As if his situation weren?t dire enough, he is haunted by voices echoing in his mind. These voices offer him a way out of his current hell: all he has to do is take a life. A human life. Will he give in to the voices, and commit the terrible deed for the sake of solace? Country: España Direction: Aguilera; Pedro Script: Aguilera; Pedro Production: Eckelt; Michael, Vennefrohne; Christian, Deker; Dirk, María Lara; José Photography: Valls Colomer; Arnau Music: Marín Walker; Juan Cast:Touré; Solo, Urgan; Kándido, Merino; Alex, Irastoza; Iñaque, Perillán; Julio, Barea; Ramón, Bravo; Charly, Armas; Ruth Participation year at FICM: 2011
Sister of mine One night, Oliver, a young film director based in Los Angeles, discovers on an erotic website that the protagonist of the videos is his younger sister, Aurora. Startled and confused, he decides to travel to Madrid after years without visiting his family. As he investigates what his sister is doing on the site, he becomes irresistibly fascinated by her. See More
The 64th Semaine de la Critique of Cannes Film FestivalWill Be Present at the 23rd FICM 08 · 21 · 25 The 23rd FICM puts #FICM2025 Accreditation on sale 08 · 18 · 25 FICM Announces the Official Selection of its 23rd edition! 08 · 15 · 25 1968 and the new narratives in feature films 07 · 31 · 25
