2024 | Color | 13:44 The mourning has passed, it's not a time to lament, but to celebrate, to wait for the rituals to work and for our dead to come. But how will they know the way if it becomes increasingly unclear? Country: México Direction: Alonso Ayala ; Andrés Script: Ayala; Andrés Alonso Production: Ayala; Andrés Alonso Photography: Ayala; Andrés Alonso Sound: Ayala; Andrés Alonso , Carcamo; Mariana Music: How to disappear completely, HOVATOFF Participation year at FICM: 2024
2024 | Color | 13:44 The mourning has passed, it's not a time to lament, but to celebrate, to wait for the rituals to work and for our dead to come. But how will they know the way if it becomes increasingly unclear? Country: México Direction: Alonso Ayala ; Andrés Script: Ayala; Andrés Alonso Production: Ayala; Andrés Alonso Photography: Ayala; Andrés Alonso Sound: Ayala; Andrés Alonso , Carcamo; Mariana Music: How to disappear completely, HOVATOFF Participation year at FICM: 2024
Eternal Land Like fertile land, children learn from their environment, trees like their wise teachers pass on their teachings. We are all the land. See More
All the Faith in Me A decision is about to be made. A seminarian is at war with himself: his faith is the battlefield. See More
Third Round Rubén is a boxer remembering his childhood, youth, and adulthood. Every stage contributed to his evolution as a professional boxer, but life’s twists and turns have put him in a complicated situation today. See More
The 64th Semaine de la Critique of Cannes Film FestivalWill Be Present at the 23rd FICM 08 · 21 · 25 FICM Announces the Official Selection of its 23rd edition! 08 · 15 · 25 1968 and the new narratives in feature films 07 · 31 · 25 Michael Mann and the birth of Hannibal Lecter 07 · 24 · 25
