2006 | Color | 17 min Nico, a woman drives his car with difficulty, next to her brings the corpse of his sister. Nico hits the car and falls in a deep state of comma, wakes up 20 years later, just before the moment of the fault, and as a misled Minotauro crosses its own labyrinth Country: México Direction: Azcuaga; Roque Script: Azcuaga; Roque Production: Bosco; Stefano, Valle; Eréndira, Reyes; Nerransula Photography: Antonio Lendo; José Sound: González; Omar, Arias; Baruch, Ojeda; Enrique Music: Saint Remy; Joseph Cast:Urrutia; Shakti, Corona; Carlos, Inés Pintado; María, Rubio; Marissa, Cavazos; Lumi Art direction: Kazán; Eloise, Aguilar; Bertha, Pérez; Gabriel Participation year at FICM: 2006
2006 | Color | 17 min Nico, a woman drives his car with difficulty, next to her brings the corpse of his sister. Nico hits the car and falls in a deep state of comma, wakes up 20 years later, just before the moment of the fault, and as a misled Minotauro crosses its own labyrinth Country: México Direction: Azcuaga; Roque Script: Azcuaga; Roque Production: Bosco; Stefano, Valle; Eréndira, Reyes; Nerransula Photography: Antonio Lendo; José Sound: González; Omar, Arias; Baruch, Ojeda; Enrique Music: Saint Remy; Joseph Cast:Urrutia; Shakti, Corona; Carlos, Inés Pintado; María, Rubio; Marissa, Cavazos; Lumi Art direction: Kazán; Eloise, Aguilar; Bertha, Pérez; Gabriel Participation year at FICM: 2006
Sólo pase la persona que se va a retratar At the Ariel photo studio in downtown Mexico City, portrait photography has resisted change. Francisco continues to use technology from the 1940s. For color portraits he uses a technique that is both artistic and archaic. He takes a black- and-white photograph and colors it with oil paint. See More
54 years after the Halconazo 06 · 12 · 25 Salón Los Ángeles on Screen 06 · 05 · 25 Sundance Film Festival CDMX 2025: ABEL, HEROD'S LAW and more 05 · 29 · 25 Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25
Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25
