1953 | B/N | 80 min Eve and Harry Graham are trying to adopt a baby. The head of the adoption agency senses that Harry is keeping a secret and does some investigating. He soon discovers that Harry has done an unusual amount of traveling from his home in San Francisco to Los Angeles. Harry gets tracked down in L.A. where he has a second family. How has he been able to maintain this “double life”? The answer is found in this work by the first woman to direct a film noir in Hollywood in the 1950s. Country: Estados Unidos Direction: Lupino; Ida Script: Young; Collier, Schor; Lou, Marcus; Larry Production: Young; Collier, Eggenweiler; Robert Photography: E Diskant; George Sound: Wilson; Howard, Tyler; Dick Music: Stevens; Leith Cast:Lupino; Ida, Fontaine; Joan, O?brien; Edmond, Gwenn; Edmund Participation year at FICM: 2010
1953 | B/N | 80 min Eve and Harry Graham are trying to adopt a baby. The head of the adoption agency senses that Harry is keeping a secret and does some investigating. He soon discovers that Harry has done an unusual amount of traveling from his home in San Francisco to Los Angeles. Harry gets tracked down in L.A. where he has a second family. How has he been able to maintain this “double life”? The answer is found in this work by the first woman to direct a film noir in Hollywood in the 1950s. Country: Estados Unidos Direction: Lupino; Ida Script: Young; Collier, Schor; Lou, Marcus; Larry Production: Young; Collier, Eggenweiler; Robert Photography: E Diskant; George Sound: Wilson; Howard, Tyler; Dick Music: Stevens; Leith Cast:Lupino; Ida, Fontaine; Joan, O?brien; Edmond, Gwenn; Edmund Participation year at FICM: 2010
The Hitch Hiker In this film, based a true story, two men travel to Mexico for a few days of fishing. When a third man asks them for a ride, they have no idea that he’s Billy Cook, a serial killer on the run. See More
Outrage After being raped, a young woman distances herself from her family and her fiancé. Unable to face society, she runs away and gets a job on an orange ranch. A young clergyman takes an interest in her, helps her rebuild her faith, and sends her back to her parents and fiancé. The film presents the female character as a victim of individual and systemic aggression rather than holding her responsible, as in other films of the time. See More
The 64th Semaine de la Critique of Cannes Film FestivalWill Be Present at the 23rd FICM 08 · 21 · 25 The 23rd FICM puts #FICM2025 Accreditation on sale 08 · 18 · 25 FICM Announces the Official Selection of its 23rd edition! 08 · 15 · 25 1968 and the new narratives in feature films 07 · 31 · 25
