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Fernández Talamantes, Julio

He studied Communication Sciences at the Intercontinental University, in Mexico City. He began his career in public television in 2006, producing programs such as Diversidad (INAH – Canal 22), Piedras que hablan (INAH – Canal 22), Viajar para contar (Canal Once) and BIOS (CONABIO / Canal 22). In 2010 he founded Perro Rojo, a production company focused on documentary television that has collaborated with government branches such as the National Institute of Anthropology and History (INAH), the Mexican Commission for the Knowledge and Use of Biodiversity (CONABIO), Canal 22, and Canal 11, among others. His first feature-length documentary film Mexicanos de bronce (2016), part of the Official Selection of the 14th Morelia International Film Festival (FICM), was part of the Work in Progress of the 2012 Mexico City International Documentary Film Festival (DocsDF) and of the 2013 Los Cabos International Film Festival.

Other Movies

Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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Ziuta travesías

Ziuta travesías

Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life.

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Zinzindurrunkarratz

Zinzindurrunkarratz

Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way.

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