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Gironella, Mariana

She studied history and Hispanic language and literature at the National Autonomous University of Mexico (UNAM) and a screenwriting course at the CCC film school in Mexico City. Her short fiction film Gajes del oficio (2013) participated in more than 10 festival around the world, including the 11th Morelia International Film Festival (FICM); the 28th Guadalajara International Film Festival (FICG, in Spanish); the 21st San Diego Latino Film Festival (SDLFF), United States; the Short Film Corner of the 66th Cannes Film Festival; and the 9th Imago Film Festival, Paris, France. It won the Hecho en México award at the 4th Oaxaca Film Fest and won two nominations at the Crystal Screen Festival, Mexico: for Claudia Valdéz for Best Production Value and for Alisarine Ducolomb for Best Art Direction.

Other Movies

Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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Ziuta travesías

Ziuta travesías

Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life.

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Zinzindurrunkarratz

Zinzindurrunkarratz

Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way.

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