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Soler Cepriá; Anna

Filmmaker and cinematographer. She studied Photography and Image at the Escuela Superior de Fotografía e Imagen (ESFI) of CEU San Pablo University, Valencia. She was a photographer for the newspaper Castellón Diario, in Spain. In 2000, she co-founded the photography school Fábrica de Imágenes in Morelia, Michoacán. She received a Special Mention at the 5th Morelia International Film Festival (FICM) and the Best Mexican Documentary award at the 4th International Film Festival of Baja California for her feature-length documentary Los días sin Joyce (un diario imaginario) (2007), co-directed with Agustín Tapia. The film also participated, among other festivals, in the 10th Guanajuato International Film Festival (GIFF) and the 16th Cinesul Iberoamerican Film and Video Festival, Río de Janeiro. She has made several musical videos for the group Monodesnudo from Castellón, including Que todos salgan así (2012), presented at the 27th Medina del Campo Film Week, Spain. In 2013 she was the director of photography of Enero, by Adrián González Camargo, Official Selection of the 11th FICM, and in 2016 of Día seis by Juan Pablo Arroyo, Official Selection of the 14th FICM.

Other Movies

Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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Ziuta travesías

Ziuta travesías

Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life.

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Zinzindurrunkarratz

Zinzindurrunkarratz

Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way.

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