1936 | B/N | 22:00 This documentary is considered the very first to be filmed during the Spanish Civil War. It was shot on the streets of Barcelona between June 9 and 24, 1936, and produced by the then-recently created Oficina de Información y Propaganda (Office of Information and Propaganda) of the Confederación Nacional de Trabajo (National Confederation of Labor). It was directed by journalist and film critic Mateo Santos, director of the magazine Film Popular; he also provided the commentary. Direction: Santos; Mateo Script: Santos; Mateo Production: Santos; Mateo Photography: Alonso; Ricardo Participation year at FICM: 2017
1936 | B/N | 22:00 This documentary is considered the very first to be filmed during the Spanish Civil War. It was shot on the streets of Barcelona between June 9 and 24, 1936, and produced by the then-recently created Oficina de Información y Propaganda (Office of Information and Propaganda) of the Confederación Nacional de Trabajo (National Confederation of Labor). It was directed by journalist and film critic Mateo Santos, director of the magazine Film Popular; he also provided the commentary. Direction: Santos; Mateo Script: Santos; Mateo Production: Santos; Mateo Photography: Alonso; Ricardo Participation year at FICM: 2017
Naza Shot at night on the rooftops of Tel Aviv, the film reveals in detail the systems behind Israel’s calculated mass killing of Palestinian civilians in Gaza. See More
5 de chocolate y 1 de fresa Esperanza is a young novice living in a quiet convent full of old nuns. After eating some “special” mushrooms, innocent Esperanza becomes modern and psychedelic Brenda: a subversive girl who raids a high-society party, sings subversive songs and charms young fellows. See More
The Buzz During a live national television interview, Verónica, a famous and widely admired actress, struggles to uphold the image of a perfect life as her inner world fractures under the weight of private abuse. Trapped between silence, fear, and a sudden panic attack, she must decide whether to continue performing the illusion—or break the cycle in front of everyone. See More
“We’re enjoying being world champions in cinema”: PARA LOS CONTRINCANTES Screened at the 24th Edition of FICM 10 · 18 · 26 James Gray Accepts the Artistic Excellence Award at the Screening of His Film PAPER TIGER 10 · 18 · 26 DEL PATERNALISMO AL PARTENARIADO: LA DIVERSIDAD LATINOAMERICANA A TRAVÉS DEL FONDS SUD CINÉMA (1984–2011) Was Presented at the 24th FICM 10 · 17 · 26 ANCESTRAS. PARTE DOS, a Canal 22 Project, Was Presented at the 24th FICM 10 · 17 · 26
“We’re enjoying being world champions in cinema”: PARA LOS CONTRINCANTES Screened at the 24th Edition of FICM 10 · 18 · 26
James Gray Accepts the Artistic Excellence Award at the Screening of His Film PAPER TIGER 10 · 18 · 26
DEL PATERNALISMO AL PARTENARIADO: LA DIVERSIDAD LATINOAMERICANA A TRAVÉS DEL FONDS SUD CINÉMA (1984–2011) Was Presented at the 24th FICM 10 · 17 · 26
